The Mo
The Mo along with Melody Club are heading up from the same scene The Ark sporned from in Vaxjo, Sweden. With a harder edge and raw sound than their contemporary's, The Mo look to bands such as the Clash who weren't afraid to mess up the punk prototype and add melodic pounding piano motifs to the traditional band set up. Designer Magazine caught up with Dix from the Mo.
Q: I've tried to establish a comparison between the
Mo with a well known UK /USA band and the nearest I can come up with is
a poppier version of the Blink 182 side project The Transplants. Do you
see it?
A: No, not really. But it's always difficult to compare
your own music with other bands, that's for the listeners to do.
Q: How would you describe the sound of The Mo?
A: Some sort of piano-punk-rock-pop…
Q: It's obvious to look at you that you're punk kids
at heart. There always tends to be a guitars = good / synths = bad ethic
in the old school punk scene. Was there a hesitance to bring in the synths
or have you always been open minded musically?
A: We've always listened to different kind of music,
it's to boring and plain stupid to just stay in one genre and never listen
to anything else. So you can say that the synths on this album came quite
natural to us.
Q: How has the sound changed from "City Heart" to
"Night At The Zoo"?
A: I guess it's quite the same, but hopefully there is
more “air” in this recording and a bit closer to the way we do it when
we play live.
Its always the goal when you enter the studio to come as close as you can get to the way you sound live. To somehow capture all the excitement, blood, and sweat that you experience with live music.
Q: What's the obsession with animal metaphors on the
new album?
A: I guess it just came along with the writing of the
songs, guess the main theme is that we're not that different from the animals
in instincts, fear and such. In the end we're all quite primal I think.
Q: Sweden tends to have a real sense of melody, a
real pop sensibility. Why do you think this is the case?
A: It has to be the cold winter nights…
Q: How much does the town of Vaxjo influence the band
and what's it like for a band trying to break out?
A: The town itself wasn't so inspiring, but the lack
of interesting things to do with your spare time gave a incredible music
climate. At the point when we still lived in Växjö there were
great scenes to play on, and lots of great band, but all of us who did
music back then have moved to other cities since a long time back. None
of the band from Växjö made their “break” when they lived there
it came several years after they've moved. It was a good place to grow
up in, and a even better place to leave…
Q: What other great Swedish bands do you play with
over there? Is there a whole scene of bands like The Mo? How important
is it for you to be Known outside of Sweden?
A: There are several good Swedish bands, The Ark, Melody
club, Her majesty to mention a few. It's very important to us to make it
abroad, the more countries you can go to and play your music the better.
We would love to be out there on the roads of Europe, Asia, Usa, Australia,
Africa. Just bring it on baby…
Q: Finally is their one ethos or message that the
Mo would like to share with our readers?
A: Music always sound better when you're drunk…
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"Night At The Zoo" is out now
For more info on the Mo
www.themo.nu
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